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In the 1940s, Picasso wrote two plays in French: the first, Desire Caught by the Tail, was conceived during the German occupation of Paris and features a cast of grotesque allegorical characters such as the Onion, Silence or Fat Anxiety discussing the crucial wartime themes of hunger, cold and love; the second, The Four Little Girls, came about a few years after the end of the war on the French Riviera, and presents the stream-of-consciousness thoughts of four unnamed girls in a vegetable garden, revealing an unexpectedly evil aspect of childhood. These surreal compositions, which were meant to be read aloud rather than formally staged, are a testament to the great artist’s imaginative powers, and have been considered as forerunners to the theatre of the absurd of the 1950s, as exemplified by Beckett, Ionesco and Adamov.
